16 december
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PUUR BELGE: Mugwump invites


Following the release of Mugwump’s acclaimed debut-album "Unspell" in its Deluxe Edition earlier this year, with media plaudits from the likes of Groove, Clash, SPIN, The Fader, Mixmag (Germany + UK), Nowness, Metro, Uncut, Les Inrockuptibles, Tsugi, The Line of Best Fit, Le Soir, Focus and a recent June 2016 headlining guest appearance on BBC 6 Music, the elusive Mugwump returns on Subfield/!K7 with an assorted package of mind-blowing music and an improved band line-up (drums : Lukas Melville / synths+vox+machines : Geoffroy Mugwump / bass+vox : Stephane Fedele / guitar : Thomas Stadnicki) which is heading towards a big blend of influences such as Throbbing Gristle, (Cult Belgian 80's band)TC Matic, early Talking Heads, The Stranglers, Johnny Marr, Air, Ought, Protomartyr or a darker LCD Soundystem. Mugwump keeps on joining the dots between daring dancecuts and live post-punk/disco/indierock with the Metempsycho EP, which serves as a vehicle and playground for the new formation, showcasing re-arrangements of 2 existing album songs ("Breakdown" & "Memento lies") and the new single, At the Front. Sung by Geoffroy Mugwump, "At The Front" is an eerie piece of post-punk indie pop, coming with a 10 minutes-long haunted dub version. The song signals an exciting direction for Mugwump’s second album, currently in the works and penned for 2017. Radical club facelifts by Kill The DJ/Les Disques De La Mort's Ivan Smagghe/Rupert Cross, Fabrizio Mammarella (Slow Motion/International Feel) & recent Subfield signings Front De Cadeaux round-off this exciting package.

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The Germans

The Germans certainly is a band difficult to pigeonhole. After their debut ‘Elf Shot Lame Witch’ (2008), the experimental LP ‘Grote Meneren/Straffe Madammen’ (2009), and the eclectic ‘Mother Sings in Front of the House’ (2013), which featured modest cult hits such as ‘Lonely Kid’ and ‘A Romanian Crowd’, the latest release ‘Are Animals Different’ (2015) offers one long 40-minute track in their very own idiosyncratic style. Recorded in only two days by Pascal Deweze and mixed by Dijf Sanders, the album is now a subtle, then a slithery play of attractive synthscapes, avant-garde, tribal percussion, cosmic funk, freaking out psychedelia, smooth R&B singing and tight motor grooves. Despite/thanks to its highly unconventional character, ‘Are Animals Different’ was elected best Belgian album of 2015 in a musician’s poll held by Belgium’s most influential (music) magazine HUMO. Described by Drowned in Sound (UK) as the most bizarre live band ever, The Germans guarantee a hypnotic, trance-like and danceable live experience, sometimes accompanied by dancer Pieter Ampe. Memorable concerts at Pukkelpop (BE), Sonic City (BE), Eurosonic (NL), and Eindhoven Psych Lab (NL), among others, impressed fans and critics alike. 

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Rodolphe Coster

In het verlengde van zijn hedendaags dansproject in samenwerking met Andy Moor (The Ex), koos Brusselaar Rodolphe Coster (vaste klant bij de Belgische underground scene, zie Poni en Cafeneon) om zich volledig te gooien als solo artist met als kerngedachte het universum te benaderen van de introspectieve cinema (Grandrieux, Lynch) overladen met invloeden uit zijn lievelingsalbums (de solos van Colin Newman, Pantha du Prince, Fever Ray). Je kan gerust de vergelijking maken met Fuck Buttons, Boards of Canada … De composities hebben iets met ambient noise, donkere electronica, met af en toe een stem bovenop de muziek (in beeld weergeven, geplukt uit eerdere optredens), gitaren en georchestreerde violen. Voor zijn optredens laat hij zich visueel bijstaan door de originele beelden van Jeremy Van der Haegen.

Een eerste EP uitgebracht in eigen beheer geeft heel goed de sfeer weer van de verschillende locaties die hiervoor werden gebruikt en die hem ook nadien naar leuke plekken hebben gebracht, zoals onder andere het WIELS, galerijen, het festival van de film in Rotterdam (daar stond hij samen met Lee Ranaldo op de affiche), …

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Tav Exotic

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